![]() ![]() As well as producing the illustrations I had quite clear ideas about the overall aesthetic and there is great comfort in knowing the people you are working with share your sense of humour and support what you are trying to achieve. After your submission was selected, what was the process like working with Four Corners and the John Morgan studio?Ī pleasure, there has always been a very easy dialogue between us. The Prisoner of Zenda is a novel from my childhood and I am unashamedly nostalgic and sentimental when it comes to books so during any times of self doubt I made sure to remind myself of what a joy it is to have the opportunity to produce a piece of work you truly believe deserves to be made and how proud I am to be ever bound to it. Working on the book certainly was daunting at times as is the process of working on any project you feel a sense of authorship for. We caught up with Mireille who very kindly answered a few questions about Zenda and provided us with some lovely illustrative insights into the content of the book… What can you tell us about your process for illustrating a book, especially one that you love? ![]()
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